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Mixing, mastering, and original beat work — the lane I came up in. Years on Pro Tools and Logic doing tracking, post-mix polish, and beat production for hip-hop releases and short-form video. Comfortable on a console, comfortable on a laptop, comfortable wherever the source needs to land clean.
Open audio
Kinetic type, logo reveals, lower-thirds, gaming montages — After Effects work that gives a static brand asset a heartbeat. The kind of motion that makes a 30-second cut land harder, or turns a logo into something with rhythm. Tight timing over flashy effects, every time.
Open motion
Music videos, brand films, live broadcast, on-location shoots. End-to-end from pre-production through edit and color, with a strong bias toward shooting the real thing rather than faking it in post. The frame in front of the lens always reads truer than the one assembled afterwards.
Open film
Modeling, texturing, and scene-building for renders that double as motion stills or hero artwork. Studio environments, product hero shots, the occasional rendered city block. Builds toward worlds that feel inhabited even when they're empty.
Open 3D
Logo systems, social cuts, posters, and brand collateral. Identity work that holds up across a feed, a t-shirt, and a tour poster — not just the lockup on a deck slide. Designed to survive a font swap, a print run, and a year of use.
Open design
Compositions and candids — light first, story always. Studio and on-location work, with an editorial eye for the kind of frames that survive long after the brief is closed. Shooting for what's actually in the room, not for what would look like a stock-photo prompt.
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